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The very first horror movie was not 1896's Le Manoir Du Diable (The Devil's Castle), in fact, Georges Melies' Un Nuit Terrible that features a giant insect, is his first production in the horror genre, anticipating the creature-on-the-loose plots of the fifties. However, Le Manoir Du Diable is the first film to feature hints of the vampire. Its running time barely three minutes, and made by and starring Melies. Looking at it many years later it seems primitive and crude, but it also displays an imaginative exuberance and joy that makes it one of film history's little treasures. The Devil played by Melies himself, has a kind of carnival charm. In a castle, a flying bat turns into the Devil. The Devil makes a cauldron magically appear.

He also conjures up a beautiful woman, and an old man carrying a book. Satan then makes cauldron, woman, man, and book disappear.

A knight shows up carrying a cross. Our villain clearly panicked, there is a puff of smoke and the Devil is gone. Because of the brazen, Gothic quality of Le Manoir Du Diable, its brief running time is not a limitation. Serious movie lovers should make the extra effort to get real satisfaction. Go to the 'Horror Films' and 'Classic Horror Films' Web sites. Read books like ' The Satanic Screen: An Illustrated Guide to The Devil in Cinema' by Nikolas Schreck and Allan Hunter's 'Chambers Concise Encyclopedia of Film and Television.'

Find odd-man-out wonders like Le Manoir Du Diable and enjoy horror's timeless feast. I saw this for the first time recently.If this film is not the first horror film at least it is the first vampire film n it includes the first transformation, that too of a human turning into a bat. A skeleton turning into a bat n then into a demon. The plot is about a demon who disguised as a bat enters a castle n turns into a demon who produces a large pot n an assistant. Aft some mumbo jumbo a woman appears from the pot. Later kingsmen enter n they r harassed by the demon's assistant.This film was supposed to b a fantasy amusement but the gothic feel n the transformation is truly that of a horror film. This film, although generally seen as the first horror, was in fact originally intended to amuse rather than scare.

Its only when you look at it with todays understanding of horror conventions that we see it as such. Yes, it does correspond with the whole dark and impending thing and have aspects of the supernatural and creatures that we, as a modern cinema going audience connect automatically with horror, but if you view it as those at the time would have, you start to see that contrary to being a fear inspiring piece, it is actually a very interesting and cleverly put together series of artistic images. Also, bearing in mind the level of filmic technology available at the time, is a fairly superior piece, but most definitely not a horror. This Georges Melies film is one of the very first films to dip into the horror genre. As was usual for a Melies production it's full of visual trickery and invention, while obviously being stagey and crude due to it's incredibly old age. It certainly must be one of the first films to make reference to vampires with its bat that turns into Satan. The simple narrative involves this character manifesting himself in an old castle and then conjuring up a cauldron, a young woman and old man.

A heroic knight appears shortly afterwards and thwarts the villain. Like all of Melies films, this one isn't about story-lines.

Cinema back in the earliest years of the medium never was. It actually took a while before it became obvious that the medium would even be any good for telling stories. And it took many years for both audience and film-makers to work out how to do it. So these early films like the Melies ones were mainly a means of showcasing visual trickery, a way of letting people see the impossible. Hence their extremely short running times too.

But I always sort of marvel at the ingenuity of those guys from over 100 years ago. Right from the offset they had loads of crazy ideas of how to present images in creative and interesting ways. It's well worth any fan of cinema taking a few short minutes of their time out to watch these ancient films, not only because they are the very first primitive twitches of cinema but also because they are fascinating historical documents in themselves.

The opportunity to watch a film from 1896 is astonishing in itself even if the film is the same repeated magic trick and edits. I wouldn't call it comic per say like a view of the previous reviewers thought but a film to try and get a thrill out of an audience. Georges Melies with his little gem may have kick started the horror genre to a place it may not be at with this type of movie. House of the Devil has horror elements and essentials such as ghosts, witches, skeletons and the devil himself in form of a bat. It's an easy three minute watch, with some cool tricks, but its nothing too extraordinary.

Take a look if you want to watch something very old and neat from a time way way forgotten. There are dozens of ways that this three minute movie is amazing for the day.

'Le Manoir du Diable' is one of filmmaker Georges Melies's earliest trick movies. Originally, his output until then mostly consisted of your typical Lumiere subjects: trains arriving in stations, women washing clothing, blacksmiths at work, etc. But, having discovered special effects earlier the same year, he began experimenting with them, reproducing a stage magician's act with 'The Vanishing Lady' and going even further to turn out 'The House of the Devil'. I have many things to say about this film. I'll begin with the 'first vampire movie' thing.

Yes, there is indeed a bat included-but it is actually Mephistopheles, an incarnation of the devil, which it turns into. Only looking at movies today about vampires do we look back at this and misinterpret it. It's just like some people are saying that the eclipse in Melies's 'The Eclipse: Courtship of the Sun and the Moon' features a 'gay' eclipse and that Melies was encouraging homosexuality or whatever. It's not true. I cannot believe how stupid people can be nowadays. Is it a horror film?

With that I am inclined to agree. According to Wikipedia, 'The House of the Devil' was originally meant to amuse rather than scare. The thing is, it looks so much like a horror.

The ghosts that appear actually DO look a little creepy. And there's the bat turning into Mephistopheles.

It may not have originally meant to have been a horror, but one cannot deny that the whole theme makes it so from start to finish. As for the rumor going around that Melies played Mephistopheles, I have something to say about that too.

Wikipedia's article makes no mention of Melies having ever appeared in this short at all; however, according to my own beliefs, he played the cavalier character who is the victim of Mephistopheles's traps. Melies's acting always has a certain joyful charm whenever he is in front of a movie camera, whether he's playing a frightened inn guest, a magician or the devil. The devil here doesn't really feel like Melies at all, but instead comes across as sinister and lurking. On the other hand, the cavalier not only looks like Melies, he comes off as very lively, amusing and every bit as childish as you'd expect from Melies's acting.

The actor for Mephistopheles's role still remains uncertain, though Georges Sadoul, a film historian, believes him to have been played by Jules-Eugene Legris, a performer at Melies's Theatre Robert-Houdin. Now that we've cleared that up, we can get on to see just how amazing this movie is for the time. As I said before, Melies's earliest films were exactly like other films of the day-documentaries of ordinary life with no attempt to tell a story of any sort.

There was sometimes acting but not any sets at all-and NO special effects. Looking at this now, it seems silly. Just a bunch of guys appearing and disappearing in a castle.

But back all the way in 1896, it was amazing. Audiences had no idea how anyone could film stuff like this-they were spell-bound. Not only does 'The House of the Devil' contain special effects, it has a really (and this is sincere) cool looking set which sets the scene for the interior of the castle. In fact, it's a few sets really. Behind the main set, there is another doorway guarded by a cardboard knight (which was later reused in Melies's films 'A Nightmare' and 'The Haunted Castle', I believe). Behind that is another painted backdrop which is supposed to look like other doorways, later replaced by a balcony set so the second cavalier can jump off.

(A little odd, that change of sets, but Melies hadn't yet invented multi-scene narratives). The cauldron also looks cool for just a piece of flat painted cardboard. There's the costumes too. They look totally awesome. The ghosts' masks are really cool and still a little spooky. The outfits for the cavaliers look great and not a bit hand-made at all. It is all extremely lavish and every bit as convincing as though you were there.

Besides that, there's also some good special effects work. The dwarf appearing in puffs of smoke effect looks very convincing, while both transformations from bat to devil are actually surprisingly well done.

While all Melies used was just a simple splice to do all the effects, I think it actually looks better than could be hoped for. The whole thing was filmed out in Melies's garden in Montreuil, but watching it you wouldn't really know it since the sets are so convincing looking (at least to me). While it may be a bit padded, that is actually a good thing since a three minute movie from 1896 was very rare. And while the story is simplistic, it is still impressive since you hardly ever saw films with plots at all at this point in filmmaking. This is truly amazing for the time and proof that Melies was one h-l of a guy.

Le manoir du diable (1896). (out of 4) aka The House of the Devil Early Georges Melies trick film has a bat appearing inside a castle when it then transforms into the Devil himself.

Soon this creature is using spells to make other creatures come to life. LE MANOIR DU DIABLE is going to be a big interest to those Melies die-hards such as myself but I think horror fans will also get a real kick out of this. To say this isn't one of the earliest examples of a horror film would be rather crazy because not only do we get the Devil and black magic but there are also ghosts, a skeleton and various other ghastly images. When viewed against today's technology I'm sure there are some that might laugh at these effects but once you consider these were being done in 1896 you really can't help but applaud them.

Melies was clearly years ahead of everyone else and the effects still hold up quite well today. I really loved how the different people began to appear even though the editing effects are quite obvious. Another nice touch was some of the black comedy thrown in and for just one example check out how the skeleton is used. Another major plus is that Melies plays the main character so well and with such energy. Forager project.

There really isn't much you can say about a silent, three minute short from 1896, is there? Must cinema buffs already know that Georges Melies was a cinema pioneer who single-handled devised many of the tropes that are now familiar to us as modern cinema-goers, and THE HOUSE OF THE DEVIL is another example of his skill as a film-maker. The story sees the Devil at work in his spooky old castle, summoning up various creatures in a bid to commit evil.

Unfortunately he falls foul of an upright Christian, who uses the power of the cross to dispel his opponent. The three minute running time is chock-full of the special effects work that Melies loved to put on screen, particularly the use of jump cuts to make figures appear and disappear at will. With a plethora of imps, spirits, bats, and ghouls, Melies single-handedly invented the horror genre, one which is still going strong all these years later. Melies Is Probably One Of The Best Technicians Of Film Ever. In Comparison With Films Of The Time This Is Probably The Best Film Of The 1890's.

I Have Seen Melies' More Famous Counterpart 'A Trip To The Moon', That Is More Entertaining But This Film Has Less References To Racial Slurs (The Moon Men Are Often Criticised For Being Representations Of Africans) And In This You Don't Question Anyone's Movtives (Seriously Who Takes A Nap The Minute They Get To The Moon?) I Heard This Is Considered The First Vampire Film. The Only Representation Of That Mythology Is Melies' Character Entering As A Bat Then Turning Human, By The Way Named Mephistopheles Who Is A Demon For Those Who Read Up On The Subject. I Can't Really Find A Downside Besides Its Not Really As Entertaining As It Would've Been 116 Years Ago. Besides That I Thought This Movie Was Well Done Technically. Overall I Liked It But Not As Much As 'A Trip To The Moon'. I'm sure the appearing and disappearing in this brief film must have been quite entertaining to the viewers in 1896.

In a castle are representatives of the devil. Their purpose seems to be to frighten people, like in a Halloween haunted house. They poke people in the back and then disappear when the person spins around.

A beautiful woman is transformed into a hag just as a young man approaches her. There are legions of witches and other creatures.

Two young men are accosted by these beings. Anyway, at three minutes or so, there is a lot of action and one of the great early masters of film begins to feel his oats. Worth seeing, even if for the visuals. According to The Encyclopedia of Horror Movies, Edited by Phil Hardy, that's what this film is supposed to be.

The version of this on YouTube is listed as 1 minute 28 seconds in length, but the entire beginning portion is a newer introduction showing miniature sets that resemble the actual sets in the 1896 film. Related films of Georges Melies include LE DIABLE AU COUVENT (1899) and A LA CONQUETE DU POLE (1912), in which a gigantic 'abominable snowman' type monster crushes a human explorer. LE MANOIR DU DIABLE is very much a stage pantomime, with the characters running about, and absolutely no subtitles. You have to watch their mimed actions to determine the plot line, which is very basic to begin with. By the way, no one in America that I've met seems to know how to pronounce Georges Melies' name correctly.

The closest I can do for you, phonetically, is: ZHOR-zha MaLEE. It's simply INCREDIBLE what magic Georges Melies - a real-life trained magician - was able to bring to the screen in those very early days of cinema; and 'Le Manoir Du Diable' was his first great masterpiece of special effects that must have absolutely baffled the audience at the time. And it's also the VERY first attempt at a new genre: the HORROR genre! The way ghosts and devils and people disappear and reappear, the sudden flame bursts, menaces lurking literally everywhere - it's REAL magic. And there's even an underlying sense of humor, which is so characteristic for Melies' fantasy, sci-fi, and horror shorts; VERY few people have contributed as much to the development of cinema as an ART form as Georges Melies - and this unique masterpiece, born in the 19th (!!) century, is one of the best examples for his genius! This film is not a vampire film classification! But on first glance, this film is no official Vampire Film and second film was also too short, but 2 minutes!

The French film - Le Manoir Du Diable (1896) (The Devil's Castle) was the first short horror movie. The 'real' count of the Vampire Films started in the year 1909 - Titel: 'The Vampire of the Coast' (1909). This - Trivia: May be the first horror and 'vampire' film is nonsense! 'In a castle, a flying bat turns into the Devil' - this says enough that this vampire is essentially no! The titles of this Movie say it enough: Also Known As: Manor of the Devil, The Devil's Castle, The Devil's Manor, The Manor of the Devil (english) - This is not about a Vampire, but the Devil!